Related Articles

Nina – Nina Featuring the Hits of Barry Manilow(Repackage)

On September 28, 2007, Nina released a repackaged version of the album that features her renditions of Barry Manilow songs.[20] It was entitled Nina Special Limited Edition (Featuring the Hits of Barry Manilow). The re-release edition consists of two discs. The first disc is a five-track compilation of Manilow’s classic hits, including “Somewhere Down the Road”, “Even Now”, “One of These Days”, “Weekend in New England” and “If I Should Love Again”, and also features four bonus songs. “What If” (Acoustic Version) and “Someday” (Band Version) are among the bonus tracks, that were altered from the original arrangement. Both songs also came from the standard edition of the album. “Collide” is another bonus song in the first disc. It was originally released as a theme song for the promotion of the theatrical release of the 2007 Philippine sci-fi indie film Xenoa. The last bonus track, “The Christmas Song”, was originally released in November 2004 as part of Warner Music Philippines’ All Star Christmas Collection album. The second disc consists of songs from the standard edition of the album. The special limited edition was released in the Philippines just a few days before Nina in the Mix: The Dense Modesto Remixes, and was made available to digital download on October 22, 2007 via iTunes.

Nina – Nina Sings the Hits of Diane Warren

Nina Sings the Hits of Diane Warren is the fourth studio album by Filipina singer Nina, released in the Philippines on July 25, 2008 by Warner Music. It is a cover album consisting of Nina’s renditions of familiar love songs written by American songwriter Diane Warren. The idea behind the release of the album started after the success of her single “I Don’t Want to Be Your Friend” in 2004, which was initially recorded for Warren’s love songs compilation.

Upon release, the album received negative response from critics, most reviewers pointing out the “vocal acrobatics” and redundancy of cover albums. Despite criticisms, the album proved to be a commercial hit, certifying Gold by the Philippine Association of the Record Industry (PARI) on September 1, 2008. It was considered a “late awarding,” since the album sold enough for a gold certification in its first week of commercial release. To date, it has sold over 30,000 units in the country and has been certified Platinum by the PARI. The album has been released internationally, mostly in South-East Asian countries. However, Warner failed to promote it in those territories due to prioritization of promoting Charice’s self-titled 2010 album.

South Border – Restrospective – A Collection of Their Greatest Hits – 2002 ALBUM

South Border is a Filipino pop and R&B band formed in the early 1990s who gained recognition in the music scene in the late 1990s to the 2000s

Originally formed in 1993, the band whose name is a tribute to their roots in Davao down south, first came into national prominence in 1996 when they launched their first self-titled album. It included a Jimmy Antiporda song entitled “May Pag-Ibig Pa Kaya” which they interpreted in the Metro Manila Pop Music Festival earlier that year. Another song, “Kahit Kailan” was awarded 1996 Song of the Year by various radio stations, thus giving them their first big hit.

The following year, the album reached gold, then platinum. South Border was all set for their first major concert at the Araneta Coliseum. As expected, thousands of their newfound fans trooped to fill the massive dome to the brim. Before the end of 1997, the exceptional talents of South Border was recognized by their peers in the industry when they won the most number of trophies at the 10th Awit Awards including Best Performance by a New Duo or Group, Album of the Year, Song of the Year and Best Produced Record of the Year for their hit song, “Kahit Kailan”. By the end of 1997, their debut album had gone triple platinum.

Not long after in the midst of a flourishing career, South Border found itself in the eye of a storm which called for a conspicuous change in their lineup. Luke Mejares replaced Brix Ferraris on lead vocals. But despite discouraging forecasts, South Border got back on their feet in no time. In a rush of creative adrenaline, the band doubled their efforts to finish their second album called Bump!. It featured “Sa ‘Yo”, a haunting ballad that spoke of a heart’s yearning for a loved one and “Reborn”, South Border’s first attempt at recording an instrumental piece reminiscent of their early jazz influences. In 1999, South Border once again caught the critical eye and received a total of 18 Katha Music awards including Album of the Year, Record of the Year, Best Pop Song, and Best R&B Song—all for the song “Sa ‘Yo”. The following year, the band released its first live recording which was well received by their fans and drew rave reviews from critics. At the turn of the new millennium, the band once again made waves with the success of “Habang Atin ang Gabi”, the theme song from La Vida Rosa, a Rosanna Roces-Diether Ocampo film produced by Star Cinema, and later from Misibis Bay, a Ritz Azul drama series on TV5. The lyrics were written by scriptwriter Armando Lao and the music was composed by Jay Durias, who considers this song to be one of his best compositions and arrangements to date.

The same song became the carrier single for their fourth album, The Way We Do, released in 2001. In November of the same year, South Border staged their biggest major show at the 30,000-seater PSC Track and Field Oval. But in the final quarter of 2002, another surprise jolted South Border’s avid followers—the announcement that Mejares was leaving the band to go solo. The search for his replacement was going to be another grueling task.

Having gone through another major change in their lead vocals lineup, the band scored a major win when they got not one but two astonishing vocal talents in Vince Alaras and Duncan Ramos. Twenty-six-year-old Alaras was a member of La Salle Green Hills’s Kundirana and was then known as “the boy who sounded like Brian McKnight”. The younger Ramos on the other hand was a child prodigy — a singing and dancing wonder boy who often accompanied Gary Valenciano on his shows and tours all over the country.

The two new talents who danced as well as they sang provided a fresh and youthful take on South Border, which has since then came up with hits such as “Rainbow” which first hit the airwaves in 2003 for the promotion of Sharon Cuneta’s Metro Manila Film Festival entry, Crying Ladies. South Border’s music even dominated television with their song “Ikaw Nga”—the love theme from the hit TV series Mulawin. In 2004, the band released their first album under their own independent label. Episode III was a big commercial success that included the hits “The Show” and “Brown Hand Smash” — two songs that gave the group an edgier, danceable R&B sound.

On August 2007, the band officially announced the departure of its two vocalist, Duncan Ramos and Vince Alaras. The band reportedly claimed that the two wanted to pursue solo careers in the future. Both left on good terms with the band. Durias then took responsibility over most of the lead vocals until international singing champion Kell Gatdula (former lead singer of vocal group Formula) came over on the same year. Months later, the rest of the band members sought permanent residence in the United States along with their families. Gatdula left in 2010.

Currently, Jay Durias is the only remaining original member of the band after Ric Junasa left the band sometime in 2012-2013. On the other hand, Vince Alaras briefly reunited with the band between 2013-2014.

Eraserheads – Anthology

Eraserheads was a Filipino rock band formed in 1989. Consisting of Ely Buendia, Buddy Zabala, Marcus Adoro, and Raimund Marasigan, the band became one of the most successful, most influential, critically acclaimed, and significant bands in the history of Philippine music, leaving a legacy that made them the most commercially successful Filipino music artist of all time. Often dubbed as “The Beatles of the Philippines”, they are credited for spearheading a second wave of Manila band invasions, paving the way for a host of Philippine alternative rock bands